An Homage to the Beloved
Children’s Book Author & Illustrator
Nélida Nassar 05.08.2012
The beloved author and illustrator of childrens’ books’ Maurice Sendak died this evening announced his publisher Harper Collins. Mr. Sendak was best known for his book Where the Wild Things Are. Born in Brooklyn to Jewish Polish immigrant parents, he died in Danbury, Connecticut, from the complications of a stroke.
With Where the Wild Things Are, the explicit title refers to the “wild,” buried, oblivious part of the toddler. The author describes the imaginary adventures of a little boy named Max, whose mother sent him to bed without dinner. Furious, Max wears his wolf suit and heads on an imaginary journey to an island full of monsters that are both funny and cruel. He becomes the King of these monsters with whom he has a wild party. Eventually, Max chooses to leave the kingdom to return to his room. Following the book’s release, it was considered by some as too dark and invective for children.
Where the Wild Things Are was first published in 1963 and has since been the subject of many adaptations; a children’s opera, two cartoons, and a 2009 film by Spike Jonze. Sendak was also renowned for designing the sets for The Magic Flute for the Houston Grand Opera in 1980 and The Love of Three Oranges by Prokofiev in Kansas City in 1986.
His books garnered numerous awards. Where the Wild Things received the prestigious Caldecott Medal in 1964, bestowed on the best illustrated children’s book. Receiving the medal Mr. Sendak stated: “Since theirearliest years, children live with familiar, unsettling emotions, where fear and anxiety are an intrinsic part of their daily lives; they face the frustration as they can. It is through the imagination they come by to catharsis. This is the best way to tame the Wild Things.”
Translated in many languages, it is considered as one of the greatest classics of American literature for children, despite debunking the taboos that shape the dreams and fears. Sendak’s prominence and importance in American popular culture is demonstrated and confirmed more than ever by the fact that President Barack Obama read it aloud with strong mimics this April 9th during the traditional children Easter egg hunt at
the White House.
Author of fifty books, Sendak was known in particular for a dozen that he wrote and illustrated himself among them The Sign on Rosie’s Door, 1960; Higglety Pigglety Pop!, 1967; and The Nutshell Library,1962, a boxed set of four tiny volumes comprising Alligators All Around, One Was Johnny and Chicken Soup With Rice and Pierre. His most famous trilogy consists of In the Night Kitchen, 1970 that is sometimes censored as it shows an illustration of a naked boy; Outside Over There, 1981, and Where the Wild Things Are. When censored, Sendak shrugged his shoulders as he is an artist, that’s all.
Sendak’s stories are interspersed with visual references to Mozart, Mickey Mouse, Laurel and Hardy, and to King Kong of Cooper and Schoedsack. In 1970, while on a visit to Germany, he immersed himself in Dürer, Cranach, Altdorfer, and later appropriated their intricate crosshatched style, as he was also inspired by the comic book’s bulbuous figures that he loved all is life.
He also disapproved of being described as a children’s writer; during a conversation with Stephen Colbert last January, he stated: “I don’t write for children … I write. And somebody says, “That’s for children.” I didn’t set out to make children happy. Or make life better for them, or easier for them.” His writings have a resonance beyond children; through his narratives, he is able to reach and speak to all ages on life, disappointments and happiness.
Imagination as in Saint Exupery’s Le Petit Prince is Sendak’s gift of genius to children and adults across America and the world. We will miss him but he will remain to many more generations immortal, for having familiarized and intimated the pervasive melancholy of children and the trilogy of emotions: anguish, jealousy, frustration.
Originally Published in Berkshire Fine Arts