Harvard Film Archives to MFA
Nélida Nassar 09.19.2011
Monday September 19, 2011 7.00 P.M.
Harvard Film Archives: Short Films
Directed by Toshio Matsumoto. One of the great pioneers of Sixties counter-cinema, Japanese director, video artist and critic Toshio Matsumoto (b. 1932) rose to prominence as a daring stylist and fearless provocateur whose radically experimental films shattered social and aesthetic taboos with inspired precision and energy.
– For My Crushed Right Eye (Tsuburekakatta migime no tame ni), Japan 1969, 16mm for three projectors, color, 13 min
– Silver Wheel (Ginrin), Japan 1955, 35mm, b/w, 12 min
– Song of the Stone (Ishi no Uta), Japan 1963, 16mm, b/w, 24 min
– Ecstasis, Japan 1969, 16mm, b/w, 11 min
– Atman, Japan 1975, 16mm, color, 12 min
– Everything Visible Is Empty (Shiki soku ze ku), Japan 1975, 16mm, color, 8 min
Wednesday September 21, 2011, 7:00 PM
Harvard Film Archives: Free Screening
Arrival of a Train; Coney Island at Night; A Policeman’s View of the World; Marseille Vieux Port;
Paris Qui Dort
Wednesday September 21, 2011, 7:30 PM – 9:00 PM
Institute of Contemporay Art Films: Kenya: Passing the Baton
by John Michalczyk (2011, 50 min.). Prior to the national election of December 2007, Kenya appeared to be a democratically stable country, with a robust economy built upon a highly admired tourism industry. However, after the re-election of President Mwai Kibaki, his rival Raila Odinga immediately challenged the results and an outburst of violence quickly spread across the country causing 1400 deaths and displacing 300,000 people. Kenya: Passing the Baton sheds light on the struggle of a people and a government to create a united, civil society currently split by disturbing tribal tensions, corruption, land distribution, and a myriad of social issues exacerbated by the severe drought in 2009. With a new Constitution, Kenya wishes to become, once again, an icon of democracy in East Africa. Funding provided by Thomas J. and Erma Jean Tracy Family Foundation, Boston College, and Rotary International.
Wednesday September 21, 2011, 4:00 PM – 5:25 PM
Friday September 23, 2011, 6.00 PM – 5.25 PM.
Saturday September 24, 2011, 12.40 PM – 2.00 PM
Museum of Fine Arts Boston Film: Ellsworth Kelly: Fragments preceded by Alex Katz: Five Hours
Ellsworth Kelly: Fragments directed by Edgar B. Howard and Tom Piper (2009, 65 min.). Ellsworth Kelly is widely regarded as one of the most important abstract painters, sculptors, and printmakers working today. Since the beginning of his career, Kelly’s emphasis on pure form and color, and his impulse to suppress gesture in favor of creating spatial unity, have played a pivotal role in the development of abstract art in America. As Kelly revisits the Paris of his early twenties, the film uncovers early influences that became leitmotifs he would later return to, reiterate, refine, and re-work for decades to come.
Alex Katz: Five Hours
Directed by Vivien Bittencourt and Vincent Katz (1996, 20 min.). This video captures the essence of Alex Katz, as he works on his piece January III. When Katz paints one of his large, signature paintings, it is an act of the utmost concentration—a performance in which he draws on years of experience as well as on preliminary sketches, painted studies, finished drawings, and a large charcoal cartoon, transferring the bare bones of the image to his canvas. Then he is ready to paint, and he usually finishes his paintings in one day; January III took five hours.
Wednesday September 21, 2011, 6:00 PM – 6:55 PM
Thursday September 22, 2011, 3:30 PM – 4:25 PM
Friday September 23, 2011, 6:00 PM – 6:55 PM
Museum of Fine Arts Boston Film: Fold Crumple Crush: The Art of El Anatsui
Directed by Susan Vogel (2011, 53 min.). Filmed over three years in Venice, Nsukka, and the United States, this is a powerful portrait of Africa’s most widely acclaimed contemporary artist El Anatsui. Fold Crumple Crush gives an insider’s view of the artist’s practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings. Anatsui explains how his artworks have become a marriage of painting and sculpture—objects that speak of African history but also reach for the ethereal—and he talks about his aspirations for artworks he has yet to make.
Thursday September 22, 2011, 7.00 PM
Multifaith Center in Houghton Chapel, Wellesley College Music: Iyeoka Ivie Okoawo
One of the most sought-after poetry slammers in the country, for an evening of inspiring music and spoken word. A 2010 TED Global Fellow and a powerful songstress, Iyeako’s lyrical prowess and vocal talents invoke the spirit of soul-shakers like Nina Simone, Sade, Lauryn Hill, and Amy Winehouse.106 Central Street Wellesley, MA 02481
Friday September 23, 2011, 8 PM
Sunday September 25, 2011, 3:00 PM
Handel and Haydn Society: Mozart in Vienna at Symphony Hall
Harry Christophers opens the season with a program featuring the sensational fortepianist Kristian Bezuidenhout. Mozart’s tenure in Vienna was marked by many brilliant compositions, and this program delves into some of his later works, including his dramatic and compelling Symphony No. 40 in G Minor.
– Haydn: Overture to “Autumn” from The Seasons
– Haydn: Concertino in F for keyboard & strings
– Haydn: Overture to “Winter” from The Seasons
– Mozart: Piano Concerto No. 22 in E-flat, K. 482
– Dittersdorf: Overture to Esther
– Mozart: Symphony No. 40 in G Minor, K. 550
Friday September 23, 2011, 7.00 PM
Harvard Film Archives: Paisan (Paisà)
Directed by Roberto Rossellini. With Carmela Sazio, Dots M. Johnson, Maria Michi
Italy 1946, 35mm, b/w, 134 min. Italian, English and German with English subtitles
The middle film in Rossellini’s famous “war trilogy” – between Open City and Germany Year Zero– Paisà is not a film about the events of the Risorgimento, but instead a series of sequences from the lives of everyday Italians, both civilians and antifascist partisans, during the fight for the liberation of Italy by the Allied armies in 1943 and 1944. Starting in the south and moving north, the episodes follow the armies as they traverse the different regions – depicting tales of everyday heroism, a kind of neorealist “history from below.” Framed by a map of Italy whose pieces are illuminated one by one, the stories express a hope that fascism’s authoritarian hierarchies would be replaced with a pluralist Italy which acknowledged and celebrated regional differences. Print restored by the Museum of Modern Art, New York.
Friday September 23, 2011, 9.30 PM
Harvard Film Archives: The Bandit of Tacca del Lupo (Il brigante di Tacca del Lupo)
Directed by Pietro Germi. With Amedeo Nazzari, Cosetta Greco, Sarò Urzi Italy 1952, 35mm, b/w, 97 min. Italian with English subtitlesBest known in the States for 1960s comedies like Divorce, Italian Style, Pietro Germi originally worked in the neorealist vein – gradually infusing his style and subject matter with elements of genre. Co-written by Frederico Fellini, The Bandit of Tacca del Lupo is a Western set in Sicily during the turbulent 1860s, when unification meant not autonomy but a new conquest, this time by the forces of northern Italy. In a battle over the control of a small town that draws the terrorist campaign of bandit leader Raffa Raffa and a wily team of sharpshooters, Germi’s eye for military action in a dramatic landscape exposes his deep adoration of John Ford, and his clear-eyed, cold-blooded filmmaking takes no sides – both the government forces and the rebels appear more capable of cynical calculation than ostentatious heroics. Print courtesy of Cinecittá Luce.
Friday September 23, 2011, 7:30 PM – 9:00 PM
Museum of Fine Arts Boston Film: The Green
Directed by Steven Williford (2011, 90 min.). Having left behind a life in New York City for the village charm of shoreline Connecticut, Michael (Jason Butler Harner), a high school drama teacher, thinks he can live a simple, harmonious domestic existence with his partner Daniel (Cheyenne Jackson). But Michaelʼs world is turned upside-down when he is accused of engaging in “inappropriate behavior” with a male student, who runs away from home and leaves behind his financially-strapped mother and her mercenary boyfriend to capitalize on the schoolʼs culpability in the alleged affair. With his job, relationship, and freedom in jeopardy, Michael must confront the suspicions of his co-workers, the latent homophobia of his friends and neighbors, and Danielʼs doubts about his partnerʼs innocence after the investigation reveals a secret from his past.
Saturday September 24, 2011, 2.30 PM – 4.30PM
First Church in Boston: Debussy with Harpist Amanda Romano, Vasiliy Medved World Premiere, Haydn, and Tenor Martin Bakari; Debussy: Danses (for harp and string orchestra)
Featuring Amanda Romano; Vasiliy Medved: “A New England Autumn” World Premiere (with the composer in attendance). Mozart, Donizetti, and Leoncavallo Arias featuring tenor Martin Bakari, accompanied by Peter Freisinger, piano; Haydn: Symphony No. 7, “Le midi”; 66 Marlborough St. Boston, MA 02116
Saturday September 24, 2011, 8.00 PM
Somerville Theatre Msic: AnDa Union
From the Xilingol Grassland area of Inner Mongolia, a semi-autonomous region of China, AnDa Union combines different traditions and styles of music from all over Inner and Outer Mongolia to create an innovative new sound. Finding inspiration in old and forgotten songs, the 10-member ensemble blends traditional Mongolian throat singing or khoomii with traditional instruments such as the horse-head fiddle or morin huur, a three-holed flute called tsuur or maodun chaoer and Mongolian versions of the dulcimer, zither, lute and mouth harp. 55 Davis Square, Somerville, MA 02145
Free lecture/demonstration: Thursday, September 22, 4-5:30pm at New England Conservatory, Pierce Hall, 241 St. Botolph St., Boston.
Saturday September 24, 2011, 8.00 PM
Sunday September 25, 2011, 3.00 PM
Boston Classical Orchestra at Faneuil Hall: Beethoven, Rossini, Saint Saëns
Steven Lipsitt conducts an old-fashioned “best of the classics” program: Rossini’s irrepressible “Barber of Seville” Overture, Saint-Saëns’ melodious and virtuosic ‘cello concerto with the charismatic Allison Eldredge, and Beethoven’s powerful and exhilarating “Eroica” Symphony. Pre-concert talk by Mary Ann Nichols one hour before each performance
Saturday September 24, 2011, 7.00 PM
Harvard Film Archives: Putty Hill
Directed by Matt Porterfield, Appearing in Person. With Sky Ferreira, Zoe Vance, James Siebor, Jr. USA 2010, digital video, color, 89 min
After funding fell through at the last minute for a fully-scripted feature, Metal Gods, Porterfield dispensed with the script and rehearsals, reconvened the cast of non-professionals culled from the working-class outskirts of Baltimore, and reanimated the spirit of the original idea onto the bare bones of a simple scenario: the death of a 23-year-old from a heroin overdose. The tragedy serves as an axis around which stories from the actors’ personal lives intertwine with the largely-improvised fiction. Their relationship to the dead boy sometimes the only bond, alienated family members and old friends reunite – to variously apathetic, uncomfortable, or painful ends. Divulging more freely to an off-screen interviewer whose identity is never revealed, the characters’ interactions with one another are usually mediated via paint ball, graffiti, drugs, video games, tattoos – culminating in an awkward karaoke-and-beer funeral for the departed. The self-conscious authenticity and quiet nihilism of Putty Hill matter-of-factly returns its gaze to a broken, disaffected reality of the American present.
Saturday September 24, 2011 10:30 AM – 12:10 PM
Museum of Fine Arts Boston Film: The Lips (Los Labios)
Directed by Iván Fund and Santiago Loza (Argentina, 2010, 100 min.). This subtle, challenging mix of documentary and narrative filmmaking follows a trio of women who deeply inhabit their cinematic roles as social workers interacting with members of an impoverished rural Argentine neighborhood. Facing poverty that threatens to overwhelm even the greatest reserves of calm, humor, and empathy, the three move into makeshift living quarters in a run-down hospital. They record data of the community needs and get to know each other, while trying to make their living quarters habitable (and still find time for an occasional night out). “A small film with a gigantic heart, The Lips casts a spell far greater than its modest narrative. . . A minimalist poem to the not-so-simple act of survival” (Jeannette Catsoulis, New York Times). In Spanish with English subtitles. New Latin American Cinema, March 2012. Discussion with screenwriters Paul Marcarelli and Molly Pearson follows screening.
Saturday September 24, 2011 2:40 PM – 4:35 PM
Museum of Fine Arts Boston Film: Miral
Direceted by Julian Schnabel (2011, 112 min.). Based closely on Rula Jebreal’s semi-autobiographical novel, Miral is artist-filmmaker Julian Schnabel’s latest film following the success of The Diving Bell and the Butterfly. Miral (Freida Pinto), an orphaned Palestinian, grows up in Jerusalem during the first intifada of the 1980s. While the orphanage and girls’ school director Hind Husseini (Hiam Abbass) wants her to stay away from political activism, Miral finds herself drawn aggressively into the conflict.
The Boston Palestine Film Festival, October 21–30, 2011
Saturday September 24, 2011, 7:00 PM – 8:45 PM
Institute of Contemporary Art: Art on Film: Over Your Cities Will Grow
Journey through the personal universe of German installation artist Anselm Kiefer and his alchemical creative processes.
Sunday September 25, 2011, 4:30 PM
Harvard Film Archives: Little Ancient World (Piccolo Mondo Antico)
Directed by Mario Soldati. With Alida Valli, Massimo Serato, Ada DondiniItaly 1942, 35mm, b/w, 106 min. Italian with English subtitles
Though little-seen in the US since its release during WWII, Italy’s equivalent to Gone With the Wind was also inordinately popular, imbued with nostalgia and based on a novel that set a melodramatic romance against a backdrop of major historical events. The events here are those of the Risorgimento, and the love and heartbreak are those of a nobleman and his humbly born beloved. Cut off by his family for marrying below his station, he faces war fighting the Austrians and a different kind of war with a vengeful grandmother and neglected wife. An established writer before turning to film, Soldati constructed Alida Valli’s star vehicle and what remains his best known film. Print courtesy of Cineteca Nazionale.
Sunday September 25, 7:00 PM
Harvard Film Archives: Hamilton
Directed by Matt Porterfield, Appearing in Person. With Stephanie Vizzi, Chris Meyers, Sarah Seipp-Williams USA 2006, 16mm, color, 67 min
In Porterfield’s debut, his cast of mostly non-actors spends long, languid summer days in the Baltimore neighborhood of the title. Narrative tension and melodrama never quite erupt; instead they simmer obliquely beneath blank looks, passive gestures and sparse dialogue. Lena and Joe, young unmarried parents, appear attached by indirect, inarticulate communication and clumsy, fleeting affections. Friends and family look on amid the mid-summer Hamilton sounds and spaces which are also given ample room to sprawl in the suburban haze. Starkly circumventing exposition and plot device with a measured composition and unhurried observation, Porterfield’s Hamiltonbasks in summer’s simple pleasures and its quiet conflagrations.
Sunday September 25, 2011, 3:00 PM – 5:00 PM
Institute of Contemporary Art Film: The ICA Remembers Karen Aqua
The ICA presents a variety of Karen Aqua’s award-winning films, from earlier projects to her final piece, including a selection of animated segments she made for Sesame Street.
Sunday September 25, 2011, 4:30 PM
Boston Playwright’s Theatre: Mortal Terror
Suffolk University and Boston Playwrights’ Theatre present Robert Brustein’s Mortal Terror at the newly re-opened Modern Theatre at Suffolk University. Robert Brustein brings the spirit of William Shakespeare back to the stage with his imaginative story of political upheaval set during the ignition of the Gunpowder Plot.
Mortal Terror is the second in a trilogy of plays about the life and work of Shakespeare by Robert Brustein, Distinguished Scholar in Residence at Suffolk University and recent National Medal of Arts recipient.
Sunday September 25, 2011, 8.00 PM
Goethe Institute Boston: Electronic Music Concert Series
Two of Europe’s finest improvisers collaborate for a special duo performance at the Goethe-Institut. The Annette Krebs + Ernst Karel Duo starts off the evening, followed by Thomas Lehn and John Butcher.
Thomas Lehn is active as a performer of both contemporary music and classical piano repertoire. For the past twenty years, his major and widely known work has been performing and producing live-electronic music.
John Butcher’s music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.
Originally Published in Berkshire Fine Arts