EXHIBITIONS

Beirut Art Fair turns 10 years old! Time to take a second look!

Dinah Diwan: Wandering City 

“Visual Synonyms” Exhibition: Creating New Design from the Combination of Japanese Logo Design and Arabic Calligraphy

Six Degrees of Connection: Photographer Gilbert Hage and the Artist Collective Antonello Ghezzi

Mark Lamster’s “The Island That Nobody Knows” Photographs at Pinkcomma Exude Melancholy and Beauty

Beirut Biennale for the Image (BIB) and its Aldebo Creative Platform: An Innovative and Compassionate Encounter of Art and Technology

Why Was Christo’s “Walking On Water” Such A Huge Success

Migrations and Surveillance Inform Art Basel 2016

The Doors of Perceptions: An All-Women Drawings Show Defying Gender Stereotypes Etel Adnan, Huguette Caland and Laure Ghorayeb

Entre Nostalgie et Modernité: La Trame Narrative, Visuelle et Emotive du 9ème Art Libanais Emerge Timidement

Marie Traboulsi Marinier Figurative Portraits of Hidden Meaning

The Paintings of Chirine Sayegh Make a Mark and Reconfigure the Lebanese Landscape

Raoul Rifaï Strikes Poetic Notes at Beirut Exhibition Center

Tamara al Samerraie Layers of Reading at Marfa’ Gallery

Martin Giesen: The Versatility and Power of Watercolor

Liliane Tyan : Transparence en mutation

Beirut Art Fair: Art pour l’art, art sur l’art,
art sans arrhes

Kameel Hawa, Sculptures Geometriques
et Biomorphiques

La Collection du Yacht Club de Beyrouth
Bouleverse les Paradigmes

Claudia Scarsella “I am The Two Moons”
Reveals And Conceals Other Reality

Piero Mascetti Paintings: A New Pictorial Language

Slab A Beirut: An Innovative Concept Art Venue Doubled with a Bar/Café

Syri-Arts, A Cry from Syrian Children: Do We
Dare Dream Again?

Matisse: In Search of True Painting at the MET

Edward Hopper’s Retrospective at the Grand Palais

The Celestial Icons: Rosa Parks and Mother Teresa

“Arcadia in Celle/Art for Nature and Nature for Art”

Florian Hecker “MIT Project”

Jane Ingram Allen at South Boston Distillery Gallery